The
Complete fine art
works of World of Art Award winning artist Asbjorn
Lonvig, Denmark.
Based
on
concepts
and prices of
the 2010
International Fine Art Collection
in which Asbjorn Lonvig participated.
The Paris Collection
Inspired by the Centre Georges Pompidou (Left Version), Paris, France
1 x Inks on canvas, size: 84 x 59,4 cm (33.1” x 23.4”)
Price is US$ 5,976 - 8,632
210 x numbered and signed by the artist, Archival Inks on cotton,
that is on Hahnemühle Museum Etching 350gsm Fine Art paper
using pigment based archival inks, size: 84 x 59,4 cm (33.1” x 23.4”)
Price is US$ 2,000 each
| Asbjorn
Lonvig's words: The most astonishing about The Centre national d'art et de culture Georges Pompidou is the backside architecture. Tubes painted in bright colors.  It has
only been point of departure for my work...my motif has not at all any resemblance with the Centre's look... To the right is the original art work. But I want to transform the square art work to the general format. Then I made a Left and a Right version. Wikipedia's words: The Centre national d'art et de culture Georges Pompidou was the brainchild of President Georges Pompidou who wanted to create an original cultural institution in the heart of Paris completely focused on modern and contemporary creation, where the visual arts would rub shoulders with theatre, music, cinema, literature and the spoken word. Housed in the centre of Paris in a building designed by Renzo Piano and Richard Rogers, whose architecture symbolises the spirit of the 20th century, the Centre Pompidou first opened its doors to the public in 1977. After renovation work from 1997 to December 1999, it opened to the public again on 1 January 2000, with expanded museum space and enhanced reception areas. Since then it has once again become one of the most visited attractions in France. Some 6 million people pass through the Centre Pompidou's doors each year, a total of over 190 million visitors in its 30 years of existence. |
Inspired by the Centre Georges Pompidou (Right Version), Paris, France
1 x Inks on canvas, size: 84 x 59,4 cm (33.1” x 23.4”)
Price is US$ 5,976 - 8,632
210 x numbered and signed by the artist, Archival Inks on cotton,
that is on Hahnemühle Museum Etching 350gsm Fine Art paper
using pigment based archival inks, size: 84 x 59,4 cm (33.1” x 23.4”)
Price is US$ 2,000 each
| Asbjorn
Lonvig's words: The most astonishing about The Centre national d'art et de culture Georges Pompidou is the backside architecture. Tubes painted in bright colors. It has
only been point of departure for my work...my motif has not at
all any resemblance with the Centre's look... To the right is the original art work. But I want to transform the square art work to the general format. Then I made a Left and a Right version. Wikipedia's words: The Centre national d'art et de culture Georges Pompidou was the brainchild of President Georges Pompidou who wanted to create an original cultural institution in the heart of Paris completely focused on modern and contemporary creation, where the visual arts would rub shoulders with theatre, music, cinema, literature and the spoken word. Housed in the centre of Paris in a building designed by Renzo Piano and Richard Rogers, whose architecture symbolises the spirit of the 20th century, the Centre Pompidou first opened its doors to the public in 1977. After renovation work from 1997 to December 1999, it opened to the public again on 1 January 2000, with expanded museum space and enhanced reception areas. Since then it has once again become one of the most visited attractions in France. Some 6 million people pass through the Centre Pompidou's doors each year, a total of over 190 million visitors in its 30 years of existence. |
1 x Inks on canvas, size: 84 x 59,4 cm (33.1” x 23.4”)
Price is US$ 5,976 - 8,632
210 x numbered and signed by the artist, Archival Inks on cotton,
that is on Hahnemühle Museum Etching 350gsm Fine Art paper
using pigment based archival inks, size: 84 x 59,4 cm (33.1” x 23.4”)
Price is US$ 2,000 each
| Asbjorn
Lonvig words: No doubt we had to visit Moulin Rouge. Even if my
youngest son were only 4 years old. Chanpagne and naked dancers. No
problem. A show exactly as you might have expected. Wikipedia's words: Carefree life, Flickleness and Joie de Vivre... Those are the three words that could best sum up this unique period in the History of France. It was a rest between two wars, a period of transition between two centuries, during which the social barriers collapsed, when the industrial revolution gave hope of a better life for all, in a rich cultural profusion and that promised much fun. The middle-class mixed with the riffraff, the popular culture was enchanced in a contented disorder full of joy and vitality. In that atmosphere, which favoured artistic creativity, literary circles appeared and disappeared according to people'meetings, while painters and drawers got especially inspired by this joyful sometimes outrageous but full of fancy atmosphere that broke completely with the rigid classicism of that period. The Japonism, a movement of Far-East inspiration using influences from the Japanese style in French Art, was at its height. Toulouse-Lautrec and his famous Japanese engravings was one of the most famous disciples of that time. The atmosphere fitted perfectly to the appearance of the first cabarets, such as the Moulin Rouge in 1889. |
Inspired by
the Sacre Coeur, Montmartre, Paris, France
1 x Inks on canvas, size: 84 x 59,4 cm (33.1” x 23.4”)
Price is US$ 5,976 - 8,632
210 x numbered and signed by the artist, Archival Inks on cotton,
that is on Hahnemühle Museum Etching 350gsm Fine Art paper
using pigment based archival inks, size: 84 x 59,4 cm (33.1” x 23.4”)
Price is US$ 2,000 each
| Asbjorn
Lonvig's words: We jumped off the Metro belov Sacre Coeur. We walked in
fascinating streets. Real Parisian streets. Then Montmartre. At last
this fantastic Church, that can be seen from all over Paris. Wikipedia's words: The Sacre Coeur Basilica was built at the end of the 19th century at the Montmartre hill in Paris. Its famous white pastry like architecture is dominating the whole city of Paris. The Sacre Coeur is a holy place and a flagship of Catholic devotion to the Holy Virgin. It attracts many pilgrims from all over the world. The Sacre Coeur has been painted many times by famous Montmartre artists. At Place du Tertre you can meet Montmartre artists and you can meet people from all over the world. |
Inspired by Champs Elysees and l'Arc de Triomphe
1 x Inks on canvas, size: 59,4 x 84 cm (23.4” x 33.1”)
Price is US$ 5,976 - 8,632
210 x numbered and signed by the artist, Archival Inks on cotton,
that is on Hahnemühle Museum Etching 350gsm Fine Art paper
using pigment based archival inks, size: 59,4 x 84 cm (23.4” x 33.1”)
Price is US$ 2,000 each
| The Arc de Triomphe is a monument in Paris that stands in the centre of the Place Charles de Gaulle, (also known as the Place de l'Étoile), at the western end of the Champs-Élysées. Officially, it is the Arc de Triomphe de l'Étoile, as the smaller Arc de Triomphe du Carrousel exists nearby. The triumphal arch honours those who fought for France, particularly during the Napoleonic Wars. On the inside and the top of the arc there are all of the names of generals and wars fought. Underneath is the tomb of the unknown soldier from World War I. |
Inspired by Lily of France (Fleur-de-Lis)
1 x Inks on canvas, size: 84 x 59,4 cm (33.1” x 23.4”)
Price is US$ 5,976 - 8,632
210 x numbered and signed by the artist, Archival Inks on cotton,
that is on Hahnemühle Museum Etching 350gsm Fine Art paper
using pigment based archival inks, size: 84 x 59,4 cm (33.1” x 23.4”)
Price is US$ 2,000 each
| Asbjorn
Lonvig's words: The Lily of France is not only used in France. I have
seen it used officially in Quebec, in Louisianna and in Florence as
well. All of them of course has a commen past with France... Wikipedia's words: The fleur-de-lis is a stylized lily or iris that is used as a decorative design or symbol. It may be "at one and the same time, political, dynastic, artistic, emblematic, and symbolic", especially in heraldry. While the fleur-de-lis has appeared on countless European coats of arms and flags over the centuries, it is particularly associated with the French monarchy in a historical context, and continues to appear in the arms of the King of Spain and the Grand Duke of Luxembourg, members of the House of Bourbon. It remains an enduring symbol of France that appears on French postage stamps, although it has never been adopted officially by any of the French republics. In North America, the fleur-de-lis is often associated with areas formerly settled by France, such as Quebec, St. Louis, Louisville, and Louisiana, and with French-speaking people in other Canadian provinces. It is also the emblem of the city of Florence, and of the Swiss municipality of Schlieren.............. |
Inspired by the Eiffel Tower
1 x Inks on canvas, size: 84 x 59,4 cm (33.1” x 23.4”)
Price is US$ 5,976 - 8,632
210 x numbered and signed by the artist, Archival Inks on cotton,
that is on Hahnemühle Museum Etching 350gsm Fine Art paper
using pigment based archival inks, size: 84 x 59,4 cm (33.1” x 23.4”)
Price is US$ 2,000 each
| Asbjorn
Lonvig's words: I was told by a friend of mine the elevator creaked and
crashed dangerously and sent out sparks in all directions. I said no thank you nicely for a trip to heaven. Wikipeadia's words: On May 15, 1889, the Eiffel Tower opened its door to the public, a few days after the inauguration of the Universal Exposition, and was the uncontested attraction of the event. 120 years later, the Mayor of Paris and the operating company, Société d’Exploitation de la Tour Eiffel, organized a series of events to celebrate the Tower’s anniversary in 2009: Bastille Days fireworks display, a light show, as well as an exhibition “Tales of the Eiffel Tower”. |
Inspired by the Eiffel Tower and the European Union
1 x Inks on canvas, size: 84 x 59,4 cm (33.1” x 23.4”)
Price is US$ 5,976 - 8,632
210 x numbered and signed by the artist, Archival Inks on cotton,
that is on Hahnemühle Museum Etching 350gsm Fine Art paper
using pigment based archival inks, size: 84 x 59,4 cm (33.1” x 23.4”)
Price is US$ 2,000 each
| Asbjorn
Lonvig's words: A symbol for the whole of Europe. At some point the blue and the yellow lights are turned off. And you ponder on the substance of the European Union - represented by the non-illuminated naked image of the Eiffel Tower. You realize that there were no wars among European Unionists since 1949. That's what the European Union is basicly about to me. Beyond all the words. And you parise yourself that your country is an European Unionist. On the occasion of the French presidency of the European Union (French President Nicolas Sarkozy will launch the French Presidency of the EU at 10am on Thursday 10 July in Strasbourg in a speech to MEPs and the European Commission.) in august 2008, the Eiffel Tower was illuminated in blue - the color of the European Union's flag. Every evening from 23 h. a flamboyant blue illuminated the symbol of Paris. The flag: Against the background of blue sky, the stars form a circle, symbolising union. The number of stars is fixed, twelve being the symbol of perfection and completeness and bringing to mind the apostles, the sons of Jacob, the labours of Hercules, the months in the year, etc. From its foundation in 1949 the Council of Europe was aware of the need to give Europe a symbol with which its inhabitants could identify. On 25 October 1955 the Parliamentary Assembly unanimously approved the emblem of a circle of gold stars on a blue background. On 9 December 1955 the organisation's Committee of Ministers adopted the star-studded flag, which was launched officially on 13 December of the same year in Paris. Wikipedia words: Eiffel Tower History: On May 15, 1889, the Eiffel Tower opened its door to the public, a few days after the inauguration of the Universal Exposition, and was the uncontested attraction of the event. 120 years later, the Mayor of Paris and the operating company, Société d’Exploitation de la Tour Eiffel, organized a series of events to celebrate the Tower’s anniversary in 2009: Bastille Days fireworks display, a light show, as well as an exhibition “Tales of the Eiffel Tower”. |
Inspired by the Tour Eiffel, EU and the Palai de Chaillot
1 x Inks on canvas, size: 84 x 59,4 cm (33.1” x 23.4”)
Price is US$ 5,976 - 8,632
210 x numbered and signed by the artist, Archival Inks on cotton,
that is on Hahnemühle Museum Etching 350gsm Fine Art paper
using pigment based archival inks, size: 84 x 59,4 cm (33.1” x 23.4”)
Price is US$ 2,000 each
| Asbjorn
Lonvig's words: On the occasion of the French presidency of the
European Union (French President Nicolas Sarkozy will launch the French
Presidency of the EU at 10am on Thursday 10 July in Strasbourg in a
speech to MEPs and the European Commission.) in august 2008, the Eiffel
Tower was illuminated in blue - the color of the European Union's flag.
Every evening from 23 h. a flamboyant blue illuminated the symbol of Paris. The flag: Against the background of blue sky, the stars form a circle, symbolising union. The number of stars is fixed, twelve being the symbol of perfection and completeness and bringing to mind the apostles, the sons of Jacob, the labours of Hercules, the months in the year, etc. From its foundation in 1949 the Council of Europe was aware of the need to give Europe a symbol with which its inhabitants could identify. On 25 October 1955 the Parliamentary Assembly unanimously approved the emblem of a circle of gold stars on a blue background. On 9 December 1955 the organisation's Committee of Ministers adopted the star-studded flag, which was launched officially on 13 December of the same year in Paris. A symbol for the whole of Europe. At some point the blue and the yellow lights are turned off. And you ponder on the substance of the European Union - represented by the non-illuminated image of the Eiffel Tower mirrod in the spring and pond of Palais de Chaillot. You realize that there were no wars among European Unionists since 1949. That's what the European Union is basicly about to me. Beyond all the words. And you parise yourself that your country is an European Unionist. Wikipedia's words: Eiffel Tower History: On May 15, 1889, the Eiffel Tower opened its door to the public, a few days after the inauguration of the Universal Exposition, and was the uncontested attraction of the event. 120 years later, the Mayor of Paris and the operating company, Société d’Exploitation de la Tour Eiffel, organized a series of events to celebrate the Tower’s anniversary in 2009: Bastille Days fireworks display, a light show, as well as an exhibition “Tales of the Eiffel Tower”. |
Inspired by the Eiffel Tower
mirrod in the spring and pond of Palais de Chaillot.
1 x Inks on canvas, size: 84 x 59,4 cm (33.1” x 23.4”)
Price is US$ 5,976 - 8,632
210 x numbered and signed by the artist, Archival Inks on cotton,
that is on Hahnemühle Museum Etching 350gsm Fine Art paper
using pigment based archival inks, size: 84 x 59,4 cm (33.1” x 23.4”)
Price is US$ 2,000 each
| Asbjorn
Lonvig's words: I was told by a friend of mine the elevator creaked and
crashed dangerously and sent out sparks in all directions. I said no thank you nicely for a trip to heaven. Wikipeadia's words: On May 15, 1889, the Eiffel Tower opened its door to the public, a few days after the inauguration of the Universal Exposition, and was the uncontested attraction of the event. 120 years later, the Mayor of Paris and the operating company, Société d’Exploitation de la Tour Eiffel, organized a series of events to celebrate the Tower’s anniversary in 2009: Bastille Days fireworks display, a light show, as well as an exhibition “Tales of the Eiffel Tower”. |
Inspired by Henri de Toulouse-Lautrec
1 x Inks on canvas, size: 84 x 59,4 cm (33.1” x 23.4”)
Price is US$ 5,976 - 8,632
210 x numbered and signed by the artist, Archival Inks on cotton,
that is on Hahnemühle Museum Etching 350gsm Fine Art paper
using pigment based archival inks, size: 84 x 59,4 cm (33.1” x 23.4”)
Price is US$ 2,000 each
| Asbjorn
Lonvig's words: I was at an exhibition at an art museum. The exhibition
was called “Hommage á Henri Toulouse-Lautrec”. I always was fascinated by Henri de Toulouse-Lautrec - for thousands of reasons. One of them is Toulouse-Lautrec's first poster, Moulin Rouge - La Goulue, which introduced into poster design a bold simplification of form, space, and composition learned from Japanese woodblock prints. I met him in Moulin Rouge in Paris once. He sure was drunk. Was I? “Hommage” means “in honour of” and I saw no honour at all. I had nothing to do but go home and create my own “Hommage á Henri Toulouse-Lautrec”. My inspiration: His art, his hat, his glasses, his beard, his short legs, his clothes. The red scarf is not his own. It is a part of my imaginable perception of Henri Toulouse-Lautrec. Sure it is the scarf of Aristide Bruant on one of Henri Toulouse-Lautrec’s most famous posters. Wikipedia's words: Henri de Toulouse-Lautrec (1864 – 1901) was a French painter, printmaker, draftsman, and illustrator, whose immersion in the colourful and theatrical life of fin de siècle Paris yielded an oeuvre of exciting, elegant and provocative images of the modern and sometimes decadent life of those times. Toulouse-Lautrec is known along with Cézanne, Van Gogh, and Gauguin as one of the greatest painters of the Post-Impressionist period. At the age of 13 Henri fractured his right thigh bone, and at 14, the left. The breaks did not heal properly. Modern physicians attribute this to an unknown genetic disorder. His legs ceased to grow, so that as an adult he was only 1.22 m (4 ft 6 in) tall, having developed an adult-sized torso, while retaining his child-sized legs, which were 0.70 m (27.5 in) long. Toulouse-Lautrec gave himself up fully to the bohemian life, spending much of his time drinking and carousing - and constantly sketching - in cabarets, racetracks, and brothels. |
In general about the complete fine art works of Asbjorn Lonvig
|
Originals
- one of a kind - art works: Concerning sale contact lonvig-complete-works@mail.dk
Fine Art
Prints: Concerning sale contact lonvig-complete-works@mail.dk
|
|
Delivery
and Payment
|
Asbjorn
Lonvig, Denmark (*1949)
Copyrights
Asbjorn Lonvig
Asbjorn Lonvig's Copyrights are
administered by Copydan, Denmark and
sister organizations all over the world.
Asbjorn
Lonvig has the contract number 1549.
If you
want to use a work for some purpose like a book cover, marketing or
product design
please
contact copydan@copydan.dk for price information.
Accounts are setteled with Copydan.
Testimonials
Highly original derivative, oxymoronic singularity, individually universal, satirical
chutzpah subversive hilarity. I am LOVING LONVIG
Florence Siegel
Boro of Queens
New York
Congratulations. Wonderful work!
Please, look my website: www.edprimo.hpg.com.br
Ed Primo
Sao Paulo
Brazil
”Dear Master Lonvig (but after reading your biography and seen your wonderful Art, your name should be
"Loving"), thank you for your interest in participating in this Feast of Culture and Art.”,
“………..are you sure you are not Italian?”
“…..I have no words to tell you how much I enjoyed your art presentation you sent me. I can tell you it would be an honour for us to have your works with us…”
prof. Giancarlo Alu
director of Mantena Museum
director of Mondial Art and Culture
Rome
Italy
Dear Asbjorn,
your work is really great!!!
I have gone through your portfolio and your other links too!!!!
Wish you happy creations!!!
Prakash Deshmukh
Akola
India
I love your work!
I have added a link to your site too under "Creative People"
Francesca Judd
Auckland
New Zealand
I love your concept! Your art and your generosity of spirit.
I am a concert pianist and am very committed to inner city kids in Hartford CT.
Sanda Schuldmann
Executive Director
Chamber Music Plus
Hartford
Connecticut
US
I'm writing to you to tell you I like your work....the way you express the synthesis is very interesting
By the way..im an argentinian artist, if you have a minute i invite you to visit my site
www.mariadelavega.com.ar
cordially
María de la Vega
Buenos Aires
Argentina
I'm speachless...wow you are creative and diligent:
o)....I like your stuff because the beauty is in simplicity..... Just a warm hello to Denmark from Germany
Best
Gudrun Ploetz
Bad Nauheim
Germany
Hello Asbjorn,
All of your art and specially the Lucca Project are superb works of fine art.
I have enjoyed your art works with a tremendous amount of enthusiasm.
Best from
Anton Vogels
Dulwich Hill,
New South Wales
Australia
I was quite impressed with all the creativity here.
Keep up the good ART!
ART is needed everywhere.
Greetings from Portugal
Rod Costa
Portugal
Hello
I have just found your site and found it so refreshing,
as have been looking for ideas for some paintings for my granddaughters baby's room,
and it has giving me some ideas and I just want to keep it simple, as I get older.
Less
is more seems to be the answer , keep up the good work.
regards
Lee
Pennington
Painter
Tasmania
Australia
Painter
Tasmania
Australia
Thank you.
I'm looking for a brush now!
Incredible, quiet, moving, loud, and awesome!
Randy Jacobs
Dallas
Texas
US
Hello
I am a New York based artist. I work primarily in pastels, oils & watercolor.
I loved your web designs and art that I located through absolute arts!
Is this to be another web magazine like absolute arts?
Is it solely your own promotion? It is GREAT!!!! If it is ongoing, how do I subscribe?
You have a linking option...I'm interested in it....please see my web site:
www.ellenfisch.com
I wish you much success!!! Are you interested in a NY publisher....
I know of one who may be interested in your work....maybe
All the best for wonderful holidays!
Happy painting,
Ellen Fisch, BA in art from Brooklyn College - MA in art from New York University
Long Island
New York
US
Dear Asbjorn
Thank you for making me your official NY fan club!! (but please spell my name correctly...Ellen Fisch )....
I love reading your Art Blogs and think that you are an art FORCE!!
Not only does your work encourage others with its eneryg, beauty and aethetic sensibility, but your writing is wonderful!!
Every time I go to your web site (often) I get a mega dose of art fuel!!
You are THE BEST!!
Warm Regards,
Ellen Fisch, BA in art from Brooklyn College
MA in art from New York University
Long Island
New York
US
PS I'm having a show of my work at the Jadite Gallery on West 50 Street in New York City.
Opening is April 5. If you are in New York, I hope you will stop by. I would love to meet you in person!!
Dear Asbjorn:
Thanks for ordering another 25 artworks. You account has been updated
to allow 75 artworks. We are so glad you are excited about Gallery
Direct and decided to upgrade your account to allow display of more of
your genious artwork.
Dave Yelen
President and founder of Gallery Direct
Forty Fort
Pennsylvania
US
Hello,
I just like to congratulate you and thank you for the fantastic art work
that you have created and exhibited.
Keep on creating!!!
Best regards,
Paul Lionakis
Dover
Kent
UK
Dear Asbjorn Lonvig
Your website is truly colorful and fantastic!!
I entered the RSS in ArtistsBlog Headlines of artday.org.
Seiji Ueoka
Editor World ArtNews
Tokyo
Japan
I only have one word that best describes these books.
Awesome.
Thanks
so much for the FREE downloads, they are very much appreciated.
Thanks,
Cecelia
Routsaw
Grandmother of 15
Greenville
Michigan
US
Greenville
Michigan
US
Hi Asbjorn Lonvig
Thanks for forwarding – magnificent article… Thanks
Bjarne
Bækgaard
Communication manager
Aros Art Museum
Aarhus
Denmark
Hi, your work is very powerful.
Your writings and work are very impressive.
Diane Leon
Adjunct Assistant Professor of Arts at New York University
New York
US
Communication manager
Aros Art Museum
Aarhus
Denmark
Hi, your work is very powerful.
Your writings and work are very impressive.
Diane Leon
Adjunct Assistant Professor of Arts at New York University
New York
US
Congratulations on your beautiful work.
You have been accepted.
Michael Jason
Manhattan Arts International
New York
US
Dear Asbjorn Lonvig,
The Staff
at ARTROM
Gallery has met to view your images.
We have
also visited your websites and entered immediately into your
world.
We are
impressed with your ability to simplify a concept into
an image and concentrate it,
to incude only what is necessary. In evaluating your work for its strong graphic content, we became aware of the size of the originals; they are all quite large and are acrylic on canvas.
In
viewing your works
we discussed not only their graphic content, but discussed them as
paintings, as objects unto themselves. Knowing that the
images exist somewhere as objects of that dimension is far
different than looking at images stored in some computer,
regardless of how they were created. One can appreciate the
graphic illustrative/informative quality of an image on a computer
screen, but it stops there, until you know more about the image as
it exists in "real life", to incude only what is necessary. In evaluating your work for its strong graphic content, we became aware of the size of the originals; they are all quite large and are acrylic on canvas.
and this adds another dimension to the work. It also adds credibility to the commitment the artist has made to the image.
We feel that you believe in your commitment as an artist.
This is one of the aspects we look for in our GUILD Members.
When one believes in himself the message is clear. We are also interested in your "Manifesto" below.
"It's
about the fact that the art market is predicted to grow 3,5 times
because of the Internet.
It's about my decision to stake everything on the internet.
It's about concentrating my efforts on the internet when it comes to sales.
It's about my decision to make new standards and challenge art traditions by
making my drafts on a computer and exhibit the drafts.
And insist upon that a computer is nothing but a new tool.
And insist upon that using a computer is as worthy as not doing it!!!
Worthier????"
It's about my decision to stake everything on the internet.
It's about concentrating my efforts on the internet when it comes to sales.
It's about my decision to make new standards and challenge art traditions by
making my drafts on a computer and exhibit the drafts.
And insist upon that a computer is nothing but a new tool.
And insist upon that using a computer is as worthy as not doing it!!!
Worthier????"
We would like to help
you accomplish these things, and welcome you to
become a member of AGG.
become a member of AGG.
David
Genovesi director
ARTROM
GALLERY GUILDInternational Society of Artists and Designers
Viale Carso, 71
Rome, Lazio,
Italy
Searching your web site I have to say that I AM IMPRESSED!!!
Absolute unique, dedicated, brilliant, excellent. I wish the see you.
Are you living outside
Actually we are in
Petru Russu
Editor and publisher
World Of Art Magazine
Stockholm
Mörbylund 19, 9tr, 182 30 Danderyd, Sweden
London
17 Ringwood Gardens, London, UK
Great, very interesting.
Your wide vision and conecting compex ideas in simple presentation are of high value.
You obsereve sights digest them and present them in colorful simple forms, have a quality of their own.
I wish you great success.
Today in India is Great Festival of Lights- Diwali,
On this occasion your paintings gave us enjoyment.
With regards,
O. P. Joshi, Sociologist of art, Ph.D.
College of KISHANGARH
Jaipur, Rajasthan
India
The jubilation feelings given
by forms and colors
of Asbjorn Lonvig...
French author Alain Joannes from Paris praises Asbjorn Lonvig's art to the skies in his new book "Comment communiquer par des images" ("How to communicate through pictures"). It is presented at Salon du Livre in Paris.005.
He wrote the following:
The art of the Danish painter
Asbjorn Lonvig communicates at the first glance euphoria in a rough
state. A so intense euphoria that the glance can not move away from the
piece of his art.
Of course, the saturated colours are decisive in this very great glowing. The coloured dazzling and the feeling of pleasure which prolongs it have multiple causes.
As adequacy between artistic creation and the constraints of communication, the art of Asbjorn Lonvig illustrates an assumption of neurocognitives sciences: the neurons in charge of visual perception are first activated by patterns recognition, then by colors recognition, then by recognition of textures and movements recognition. In a piece of art like "Soul hurting still ", the sensory impacts of the forms and the colors are very strong and equal. The pleasure comes from what the eye and the brain receive from the red, the yellow, the green and blue at the same time as they recognize the squares, the rectangles, the circles, the triangles, the straight and broken lines and even the letter “A”.
The glance thus filled by a profusion of feelings founds a generating mental state of pleasure.
After and beyond the primary emotion, in a second phase of contemplation, the spirit endeavours to confer an overall significance on the table. It calls upon its repertory of already memorized forms. Then, the pleasure becomes ludic. Functioning like a rebus, the chart of an unknown territory, a coded language or a mysterious diagram, the piece of art asks to the witness: " What am I ?"
Of course, the saturated colours are decisive in this very great glowing. The coloured dazzling and the feeling of pleasure which prolongs it have multiple causes.
As adequacy between artistic creation and the constraints of communication, the art of Asbjorn Lonvig illustrates an assumption of neurocognitives sciences: the neurons in charge of visual perception are first activated by patterns recognition, then by colors recognition, then by recognition of textures and movements recognition. In a piece of art like "Soul hurting still ", the sensory impacts of the forms and the colors are very strong and equal. The pleasure comes from what the eye and the brain receive from the red, the yellow, the green and blue at the same time as they recognize the squares, the rectangles, the circles, the triangles, the straight and broken lines and even the letter “A”.
The glance thus filled by a profusion of feelings founds a generating mental state of pleasure.
After and beyond the primary emotion, in a second phase of contemplation, the spirit endeavours to confer an overall significance on the table. It calls upon its repertory of already memorized forms. Then, the pleasure becomes ludic. Functioning like a rebus, the chart of an unknown territory, a coded language or a mysterious diagram, the piece of art asks to the witness: " What am I ?"
The many possible
answers are mental resonances which give to the artistic communication
a richness higher than all the other ways to communicate.
This communication is intersubjective. It organizes the meeting between the subjectivity of the artist and the subjectivity of the witness.
The witness of the piece of art is free to refer to tropical sensory prints: association of a dominating solar yellow, sky blue, deep vegetal green. He can also associate the table with an intimate collection of primitive art.
He shall perhaps remember the geometrical abstractions of Kandinsky and Mondrian. Surely, the piece of art will be kept in the long memory space into the brain with all its resonances sensory, emotional, ludic and cultural.
It is may be interesting to know that the joyfull impact piece of art by Asbjorn Lonvig is closely related to its is canvassed artistic. High level data processing specialist then head of a software company, the painter found serenity in a pictorial creation which starts with digital drafts and finds its completion on a support – frame and fabric - entirely conceived and manufactured by the artist.
Alain
Joannes,
Author This communication is intersubjective. It organizes the meeting between the subjectivity of the artist and the subjectivity of the witness.
The witness of the piece of art is free to refer to tropical sensory prints: association of a dominating solar yellow, sky blue, deep vegetal green. He can also associate the table with an intimate collection of primitive art.
He shall perhaps remember the geometrical abstractions of Kandinsky and Mondrian. Surely, the piece of art will be kept in the long memory space into the brain with all its resonances sensory, emotional, ludic and cultural.
It is may be interesting to know that the joyfull impact piece of art by Asbjorn Lonvig is closely related to its is canvassed artistic. High level data processing specialist then head of a software company, the painter found serenity in a pictorial creation which starts with digital drafts and finds its completion on a support – frame and fabric - entirely conceived and manufactured by the artist.
Paris
France